Beat comes before rhythm — yet many piano lessons skip it entirely.
Think about this for a moment.
How many times have you heard a student play all the right notes… but something still feels off?
They’re counting.
They’re concentrating.
They’re trying really hard.
And yet — it doesn’t gel.
More often than not, the missing piece isn’t technique or note-reading.
It’s beat.
Beat: The Foundation We Rarely Teach Explicitly
Every ancient culture developed some form of drum to anchor the beat in their music.
Before notation. Before theory. Before instruments like the piano.
Beat came first.
And yet, in traditional piano teaching, beat is often assumed rather than taught.
Most of us weren’t trained to develop beat as a separate, foundational skill. It was something that we did or did not develop over time. So it doesn’t always occur to us that we can really help our students move forward more quickly by creating activities that intentionally build the sense of beat. Some students naturally have a strong inner pulse.
Many don’t.
And plenty of adults struggle with it too.
If beat isn’t secure, everything else becomes more difficult.
Whilst the best place to start is with beginners, it’s never too late and a little time focussed here is well spent.
Music isn’t music unless it’s rhythmical.
Without a steady beat:
There’s also fascinating research showing that children who struggle to hold a steady beat at age three have a significantly higher chance of experiencing difficulty when reading (literature) at age eight.
Just think of contribution you can make to every child’s future simply by soing a few beat activities!
Beat isn’t just musical.
It’s neurological.
And it’s embodied.
Which brings us to something important.
We often teach rhythm intellectually, issuing lots of instructions:
“Count one-two-three-four.”
“Make sure you don’t rush.”
“Watch the rests.”
But students can count perfectly… and still play out of time.
Why?
Because counting lives in the head, while beat lives in the body.
Beat is an inner pulse.
A felt sense.
A musical heartbeat.
When students are stuck “in their heads,” their timing suffers. When they relax into sound, movement, and listening, everything changes.
This is especially important for:
Without beat & rhythm, music becomes a bag of notes.

One of our favourite ways to develop beat is a playful, multi-stage activity we call Shark Shark.
It works beautifully with:
Why?
Because it’s gamified, embodied, and musical.
In this activity, students:
At one point, students rearrange rhythm cards to invent their own patterns — which is where creativity and early improvisation naturally emerge.
They’re not just copying.
They’re owning the rhythm.
From Preparation to Real Music
What we love most about Shark Shark is how it leads naturally into real repertoire.
After preparing the rhythmic patterns through movement, syllables, cards, and listening, we take the activity into Radetzky March.
Suddenly, students are:
Many children today simply aren’t exposed to classical sound worlds. Activities that incorporate pieces like Radetzky March gently expand our students musical horizons — without forcing anything.
When beat is secure, students:
They stop bracing.They start flowing. And that’s when real musicianship begins.
Get the One-page Beat Activities Handout
And a complete Shark Shark resource set for Studio members
Want to see or hear beat in action?
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